I visualize the invisible presence of life, revealing through painting the essential existence inherent in nature and living beings. Inspired by stones, plants, flowers, shadows, and water, I enter into a careful dialogue with these motifs through all my senses, allowing emotions and bodily memories arising from their presence to guide the composition and concept of each work.
My practice resonates with the East Asian painting concept of Qi Yun Sheng Dong (気韻生動), which seeks to evoke the life force inherent in natural forms onto the painting’s surface. I also place importance on traditional Japanese approaches to painting that honor the reality of each subject within its decorative quality. This allows the inherent presence of the motif to remain, while leaving space for diverse symbolism and open interpretation, inviting viewers to reflect deeply on life, death, and time.
The layered textures of Japanese mineral pigments and the tonal rhythms of color mirror the subtle movements of my breath, body, and spirit. This interplay imbues each painting with Qi—the vital energy of life—creating a poetic presence that resonates physically and emotionally with viewers.
While rooted in East Asian values and techniques, my work remains open to viewers from diverse backgrounds. By exploring emotions, memory, and the essence of being alive, my paintings connect to universal themes—such as the meaning of nature and existence—that humanity has long sought to understand. My works act as mirrors for viewers, awakening people’s dormant memories and emotions.
They exist not merely as visual decoration, but as “art that stays close,” accompanying life’s milestones and deepening in meaning over time.
